Client work / Sundae Labs PBC
AGNi.
The Oath.
Launch strategy, creative direction and a 60-second AI film. One integrated team. Launched July 4, 2026.
From first conversation to final master: roughly four weeks.

01 / The challenge
Make people
feel it.
AGNi is a genuinely new kind of technology. It's an AI made for one person. You. It lives on your device, learns only from you, and reports only to you. One half turns inward and learns you, showing you the patterns you can't see in yourself — because you can't change what you can't see. The other half turns outward and handles the world on your behalf, without ever letting the world back in. Your mirror and your armor.
It took us weeks of study to get our heads around it. But an audience would only give us thirty seconds. The challenge was not explaining AGNi. It was making people feel it before they understood it.




02 / The creative approach
Trust had to
come first.
Nobody hands their inner life to a machine they don't trust, and no amount of explaining the technology would earn it for us. We led with the armor. The mirror is the deeper half of the idea, but it needs teaching, and a launch moment doesn't have that luxury. Armor is understood instantly, by anyone.
So we made a film about what life looks like without it — a vast auction house where a person's memories, interactions, voice and confessions are sold to bidders harvesting the information for the financial benefit of faceless corporations.
At the cross-over point — where the bidding ends and AGNi's armor kicks in — we proposed that AGNi make its promises to its users in public, as an oath. We wrote the first draft. The company's own philosophers refined it into the document the brand now stands on. The film ends where the oath begins.

03 / The production
Every frame.
Planned from the start.
In the ten days before a single frame existed, we had built the July 4 launch plan, the PR strategy and the go-to-market plan for everything after it. Production began on June 22. The film was live on July 4. Thirteen days, and the deadline was a national holiday.
No cameras, no lights, no crew, no cast, no location. Every frame was generated, every one unique, and every one of them planned in detail from the outset.
The team
Behind the work.
Greg TebbuttStrategy and Marketing Insights
Erich FunkeStrategy & Creative Direction
Cameron OakleyDirection & Film Production
Etienne CollinsonDirection & Film Production